Socialist Resistance

An archive of socialistresistance.org, 2002–2022

Rachid Taha live in London

 |  Socialist Resistance no45  |  page 22

This is scanned newsprint, not web text. The original PDFs carried no text layer at all, so every word here was read off the page by OCR. Expect dropped opening letters, run-together words and wrong characters. There was no contents page to cut the paper up by, so the articles were found from the size of their headlines: a headline may carry its kicker, and where an article ran beside a boxed panel a few lines of the neighbour can appear. The scanned issue is the authority; this text is here so the words can be found at all.

Taha is an Algerian-born French musician. He is to the music of France's North African diaspora what the { Pogues became to Irish music. Both infuse traditional sounds and melodies with somewhat out of control hi-jinx, high energy and high volume. Both are influenced by The Clash. In fact both have had exClash members temporarily in the band. Strummer stepped in as vocalist during one of Shane Magowan's absences from the Pogues in the early

At this Barbican gig we were treated to exClash guitarist Mick Jones joining Taha's He's worthy band for the an uproarious Marley and welcome. Strummer

Of course they played mantle the arabised Beg, steal or "rock el

borrow to see kasbah". Not the Clash's him live. best number, but what the hell.

During the performance increasing numbers of

women from the audience

clambered onto to the stage

to dance. I had my doubts about this well-worn rockgod tactic.

Then at one point, during an extended chorus line the

percussionist was brought

to the mike by Taha (who

has only a few words of

English) to shout:

"We are for women's liberation. We are against the war on Iraq. We are for the struggle of the Palestinian people. We are against the oppression of the Israeli state".

There was little room for disagreement. The crowd roared back. The women danced on.

He's been well-received in Algeria in recent years -although, it dawned on me, perhaps not so enthusiastically by the fundamentalists who don't approve second half to inheritor of the of women dancing in

public. Taha has said that in

all his music "there is

repetition, the idea being to induce a trance". His brand of rai-funk certainly achieved this. The capacity audience was on its feet from

beginning to end.

The pounding rhythmn

section taken with his

highly charismatic stage

presence, the mesmerising

melodies and politicised

presentation reminded me

of seeing The Wailers 30

years ago.

He's a worthy inheritor of

the Marley and Strummer

mantle, even if, unlike

them, his lyrics seem to

steer clear of politics. Beg,

steal or borrow to see him

live.