Socialist Resistance

An archive of socialistresistance.org, 2002–2022

Culture: Playing the whore – the work of sex work

 |  Socialist Resistance magazine, issue 81  |  printed page 38  |  the printed version, 540 words longer than the website’s

This is scanned print, not web text. It was read off the printed page by OCR, so expect dropped opening letters, run-together words and the occasional wrong character. Where an article began partway down a page, the previous piece's closing lines may appear at the top. The scanned issue is the authority; this text is here so the words can be found at all.

Jane Kelly reviews Melissa Gira Grant's book published by Verso Books in collaboration with Jaco bin Magazine, 2014, 144 pp, £8.99 Written by a journalist and former Melissa Gira Grant sex worker, this book turns on its head the commonplace ap proach to sex work. Rather than discrediting the workers and their clients, or calling on police to arrest clients leaving sex workers without any means of survival, this argues for the legalisa tion of sex work and its clients. She argues that sex work is work and sex workers are at work. The writer bases her arguments on the rights of sex workers, the rights of clients and turns on its head the usual attack against men who use sex workers. She shows how policing of sex work makes it more dangerous for the women (and the men) and does nothing for their safety. She shows how those who want to 'help' prostitutes and sex workers do the very opposite. Helping sex workers by criminalising the men who use them is a contra diction in terms, for if the sex worker has to work in hidden places, she is more at risk than if it he can work in safe spaces. Those who want to outlaw such work do so by attacking the 'glamourisation' of sex workers, but ignore the pervasiveness of such 'glamour, in advertising for example. They ignore the continuous line of sexualised imagery - from TV commercials, photographs of film stars, models on the cat walk to prostitutes - positing one set as OK while the other is unacceptable. The division between 'legitimate' sex work, for example stripping or posing * Culture for pornographic images, and sex work that involves actual sex, is false for there is a continuum, a line of similar images of women that may start with a prostitute, but goes on to include models, adverts, right up to informal photos taken by a friend. That is not to say that we cannot analyse such images: we should make a critique of them, but the line of divide is false. There is not one form of sex work. There are many facets to it, whether street hustling, hostessing, stripping, performing sex for web cams, all can be described as prostitution, but some do not see their clients while others perform sex with them. The stereotype of a sex worker in short skirt and heels bending over a car to speak to its driver has become the symbol of the prostitute to stand in for all sex work, yet it is a lazy stereotype, not only because it hides that woman's other activities - shopping for food, looking after children, watching TV - but it also because it stands in for all sorts of other sex work. For many women, prostitution is an easier way to earn a living than many 'legitimate' jobs. Working on a zero-hours contract, at the mercy of the company, reduces it workers totally to the needs of the employer. Selling sex can be organised to suit the prostitute, when, where, with whom and how she The sex worker is silent in the arguments anti-prostitution campaigners use, they are 'spoken for rather than allowed to speak quotes Jill Nagle in Whores and Other Feminists, 'one could argue that the production of feminist discourse around prostitu tion by non-prostitutes alienates the labourer herself from the pro cess of her own representation.' They give voice to the voiceless but ignore the actual content of prostitutes speaking for themThe book puts an interesting argument. Refusing to accept everyday stereotypes of the prostitute, the one image that stands in for all sex work, she argues for decriminalisation and giving sex workers a voice. A voice to put forward their de mands, to fight for their rights and to overcome the stigma of The one criticism I have is that in arguing for the right of women to sell sex, there is no discussion of the men who often control prostitutes, for example bringing women from poverty abroad, on false promises of good jobs, and forcing them against their wishes to sell sex. The book ignores the role of such men confining her arguments to the rights of women who have chosen to work as sex workers. However the author does not claim to speak on all aspects of prostitution, she is against the all-pervasive argument put by anti-prostitution Nonetheless it is a refreshing and well-argued book, turning old stereotypes on their head and posing sex work in a new rela tionship to the rest of paid work. Rejecting much previous work on the subject, where the sex worker is spoken for rather than able speaks as someone who has cussed the ideas in the book with others who still sell sex, dis mantles pervasive ideas about their lives and opens up a new way to think about the subject.

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